All the words get in the way
One thing I find about scripts is that, the longer they get, the harder it is to see the story. All the words get in the way. Descriptions, characters, dialogue, the little formatting quirks – they are all part of telling your story and yet, as you work, each one can be a hindrance when it comes to really seeing the story. Your nice location may prevent you from seeing the pacing problem. Your witty dialogue may obscure the basic character flaws. And when you get up to a certain number of pages, you can forget about seeing the whole story – you’re now into little bits of story. That’s all you can manage at a time.
So I find it crucial to have a distilled version of the story. We writers often work with story beats and I think that’s a great idea. Having a list of your beats, whether on cards, post-its or just in a document or notebook is a really good way of keeping track of the larger story. And yet at certain points in the process, I like to get even more distance from the details.
Instead of looking at beats, I start to lump them together and I write down the basic sections. In a movie script, there might just be around 8 or so but it varies depending on the needs of the movie. Do what you can to create a grouping. The early part is usually easy – that’s the Setup. So you can have Part 1, Setup and a one-line description of what happens. Then whatever event happens that kicks off your story might be Part 2. In the actual story, it will be ‘this happens, then this happens, and this other thing happens’ but the idea here is that, if they can possibly combine into a section, combine them and tell it in one line.
So when you have a line for each section and you’ve given each a heading and a space between each section, you should be able to see your entire story in less than half an A4 page. And I can assure you that, doing that, you will see things about your story that you would have been very difficult to spot just reading the script but also you’ll even see things that might have eluded you working with just the beats. Getting it down to a smaller and smaller form is like creating more and more distance between you and the story (yes, these are small, those cows are far away – it’s kind of like that).
Because all those words get in the way. They’re important, of course. Those will be your finished product. But you need to get them out of the way to really see your story.