Feb 4

Get it right as early as possible

Don’t worry, we’ll fix it in post. When you see it with sound, it will work much better. Sure it seems wrong now but the story will come together in the animatic. We’ll let that scene go but the scenes around it will give it context. Ah, what do kids know anyway?

Making shows and media is hard. Sure, it can be fun and we’ll all talk about it with a smile to people who aren’t in the business but you and I know that it can be hard. There are so many places for things to go wrong. And fixing mistakes? Production problems? Making stuff work that really doesn’t? That’s a nightmare. It can send problems down the entire chain of production and on to the screen.

So how do we avoid that? Well… you know all those places it can go wrong? You make sure that each one of those stages is, instead, carried out correctly from the very beginning. I make it sound so easy! The thing is, every time you get a step right it becomes harder to get the entire process wrong. The earlier you start to get it right the better.

Let’s look at a real example: an animated television episode.

We will assume the concept is already in place (if not, get that right first). So you have your characters, your setting and you know what the show is about. You may even have scripts already. That’s a good start. But this individual episode is all new.

You start with the story idea. Just the very basics, often a one-line concept. If this concept is good, it could lead to 100 different stories and many if not most of them could be really great. So get it right first. Work through lots of ideas and pick the best or pick one that really inspires.

Once you have that idea right, the next stage becomes easier: plotting the story. You’ve got to get this right because your script will be much harder if you don’t. You need to know what happens and if there are early story problems they will become apparent here. Work at getting this right and you’ll have a much easier task on the next really important part: writing the script.

Now your script has to be good because that defines the whole episode. Pulling a good episode from a bad script? Forget about it. Get your script right and the storyboard artist will have a much easier job drawing a lovely set of panels. Get those panels right and the animatic will be a breeze. Get the animatic right and your animation… and your scenes… and your sound… and so on.

Get it right the first time and everything becomes easier. It sends that goodness down the entire chain of production. Get it wrong and you’re struggling every single step of the way and you’re looking at your final episode thinking, the next episode might be better. Or worse, thinking that it’s awesome while everyone else is hoping the next episode might be better.

So start at the start and get your story and your script right. Only let it go to the next stage when these are good. Build on each step rather than constantly trying to paper over the previous one. It can be hard work up front and you might wonder if there is really value in torturing over some of the details but your future self or your director or your whole team will benefit. More importantly, the kids will love what you make.

 

On a related and not coincidental note, Nelly and Nora from Geronimo Productions launched in Ireland this week. I had the pleasure of working as script editor on the show with two great writers – Andrew Brenner and Emma Hogan. Both of them worked incredibly hard early on crafting lovely stories to get those first stages right and begin the chain of events that would lead to what are now lovely episodes for young children. The core of what those episodes achieve was all there in the scripts and so the production team could spend their time making them wonderful (and that’s just what they’ve done). There are 52 episodes now airing on RTEjr and going global very soon. If you have children, look out for it.

NellyandNora

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