The proof is in the…
We can deconstruct a script, point out the plot holes, wonder if the structure is really hitting the beats in the right place, explore the character dynamics, question the motivations, tut-tut at the typos, throw out the designs, play with the composition, alter the pacing, pull out the examples of what worked and what didn’t and suggest changes throughout hoping those examples apply in this case (they often don’t) and we can, bit by bit, torture over every element, large or small, in what we’re making. And we should. All those elements will help you as part of the process.
BUT the proof is in the reactions of your audience. The smiles, the laughter, the gasps, the cheers and the tears. When everything is finished, that is what counts.
At the weekend, I was at the premiere of the live-action children’s feature GRÅTASS GIR GASS in Stavanger, Norway. I wrote other films in the series but I didn’t write this one so I had a little more objectivity while watching the audience, taking in what hit and what really grabbed the children. The kids had been playing around the Gråtassland theme park all day and so I wondered if the energy would really be there. It was. And towards the end, there was (SPOILER) a chase sequence that revealed one of those crucial audience feedback moments we look for. The loud laughter and cheering from the kids was all the proof anyone would need on whether this movie hit or not.
They were invested. They were entertained. And yes, they laughed. The proof was in the laughter.
I’m sure many of you have seen articles attempting to knock Frozen through theory – how the villain comes out of nowhere, why story parts don’t work as they should and so on. All it takes is going to just ONE screening of that movie with a cinema full of kids to understand why that movie is a hit.
Sure, by all means question the details and try to learn from them. All those elements at the top of this post are important. But never lose sight of the fact that it is the audience reaction that counts. Arguing theory to a room full of cheering kids is a total, utter waste of your time. Listen to your audience. Learn from them. Know your audience and learn how to entertain them. That is paradoxically much more simple and far more complex than what you’ll generally read in a book about writing.
Listen to the laughter and aim to entertain.
Gråtass Gir Gass opens across Norway this Friday the 9th of September. If you’re there, bring your kids and listen for that laughter. Well done to all involved!