Watch out for formula
We can get into habits in life. We can certainly get into habits as writers and storytellers and there hits a point where that bites us in the backside because it makes our stories incredibly predictable.
Eastenders used to be on in my house when I was younger. I must admit I haven’t seen it in years but, back that, that show was MISERABLE. It was basically just a grey account of things going wrong for people. And yet on rare occasions, something would go right for someone. Many things would go right for that person. Often in a Christmas episode or some event. All their problems would be solved at once. Isn’t that nice?
No, because by the end of that episode, that person would be dead or in prison or beaten up or whatever. It was a very obvious story flag. Things go right for someone, that person is about to have a horrible end. It makes sense from a story point of view – set up a huge crash and get the impact from that by preceding it with a big high. Give them further to fall. I can rationalise it as a writer.
But it became far too predictable. Even years before I was a ever a writer, I was seeing not the characters, but the writing happening in front of me. I was seeing formula. And that sucks all drama and all connection and all meaning from the events.
Therein lies the danger of formula, of being certain you know how stories should be told. Sometimes knowing how a story should be told is the very reason to tell it a different way. Because if you know it, if it has been identified to the point where it is all over books and has been for decades, maybe the audience sees it too. You can learn from books and structure and from other stories and other writers and you absolutely should… but watch out for formula. It will do your stories a disservice.