What is your story about?
What’s your story about? No, not ‘what happens in your story?’ or ‘what does your character do?’. What is the story actually about? In children’s media, we often stick to very simple themes. This is great for story. So when asked this question, the answer might be: it’s about the value of teamwork. Yes, that’s a really obvious one but it’s a pretty good example.
It might be: it’s about why it’s okay to feel shy sometimes. It might be more practical: it’s about how to count to ten. As your stories go up in age group, you might go deeper: it’s about the safety that comes with a mother’s unconditional love.
Those aren’t the events that happen in the story. Those aren’t the characters. But what your episode is about should be seen through the characters and in every event in your story. Every single one of them. Depending on the form and length of your story, it might be that every element reinforces what the story is about or it might be that the events directly challenge what the story is about and then you prove it at the end of your story. As we get into longer form, that’s what we tend to do. It becomes like an argument in a way, told through story. In order to make the case for what your story is about, you push that alternative viewpoint in order to create a challenge. A challenge for your characters and for your story.
One very common problem I see in stories time and time again is that, somewhere along the line, the writer forgot what the story is about. Or never fully decided on it in the first place – I’ve been here, because sometimes the answer to that question changes. So when we get to the end of the story, what happens actually doesn’t back up or say anything about what that story was about. This will make the story feel much less satisfying.
So make sure you know what your story is about. If you have a clear vision for what that is, make that your goal. If you don’t yet, that’s okay but take a stab at it. Put something down on a post-it or the top of your document – just very briefly what that story is about. Never lose sight of that. If you find that your story takes you in another direction (that’s okay), then change those words. And then at some point, go through your story again and make sure that it all now says something about those new words.
What your story is about should be seen throughout, from the very start all the way to the end. It won’t always be in the audience’s face, but it should be ever-present. And you get to the end, you wrap that up and make it feel complete.